Tom Stoppard's play Arcadia (Faber and Faber, 1993) places fractals and
chaos in the discoveries of a 19th century mathematical
prodigy, Thomasina Coverly, and in fluctuations of the grouse population of
the present-day Coverly estate. |
The play moves back and forth between the
two times, until the end of the play, Scene Seven, when the times interpenetrate. |
Thomasina's rebellions against determinism and Euclidean geometry provide an
excellent introduction to the motivations of fractal geometry and chaotic dynamics. |
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Fractals may appear in a more subtle fashion in the structure of the play.
Here is an example, first observed by Joise Rodberg. |
Be sure to consult Bob Devaney's Arcadia website
http://math.bu.edu/DYSYS/arcadia. |